“Ricercare is a musical form, a style, a symbol of freedom within rules, and Ricercare editions is a project inspired by this philosophy.”
~ Giovanni Sollima
I had been thinking about a publishing company for a long while, surely years, but I felt that I mostly needed a meeting place, a gathering where my compositions could develop ties with music of the past and music yet to be written.
We are four, with me Andrea Cavuoto, Luigi Bianchi, and Rosana. Roberto Bevilacqua follows us with his experience in e-commerce and more, and above all a great instinct!
Once overcome any bureaucratic obstacle, if they can end one day!, the project found its natural expression in this website, being written music mostly intended as a file than sheets. Surfing in every directory, my music merges in the fields I care as a player: old and new cello perspectives, forgotten or hidden repertoire as well as new music ready to be shared, music to enjoy like cello ensembles, a setting than more than any other reflects my view of music as common energies, shared enthusiasm, ideas, stimuli, challenges!
Being open to everything means being constantly active, aware that the flow of creativity does not run out and is something extraordinarily changeable. Let's start from here... A publishing house means a lot, it means growing, transforming, going from a score to an audio track or a record. It means empathy, debate, confrontation… and no barriers, cultural nor geographical!
• Giovanni Sollima •
Giovanni Sollima is an internationally renowned cellist and the Italian composer whose works are most performed the world. He has collaborated with Riccardo Muti, Yo-Yo Ma, Ivan Fischer, Viktoria Mullova, Ruggero Raimondi, Mario Brunello, Kathryn Stott, Giuseppe Andaloro, Toni Florio, Yuri Bashmet, Katia and Marielle Labeque, Giovanni Antonini, Ottavio Dantone, Patti Smith, Stefano Bollani, Paolo Fresu, Antonio Albanese and with orchestras such as the Chicago Symphony Orchestra, Manchester Camerata, Liverpool Philharmonic (Artist in Residence 2015), Royal Concertgebouw Orchestra, Moscow Soloists, Berlin Konzerthausorchester, Australian Chamber Orchestra, Il Giardino armonico, Cappella Neapolitana, Accademia Bizantina, Holland Baroque Society, Budapest Festival Orchestra.
He has composed music for Peter Greenaway, John Turturro, Bob Wilson, Carlos Saura, Marco Tullio Giordana, Peter Stein, Lasse Gjertsen, Anatolij Vasiliev, Karole Armitage and Carolyn Carlson.
Sollima has performed at Alice Tully Hall, Knitting Factory, Carnegie Hall (New York), Wigmore Hall, Queen Elizabeth Hall (London), Salle Gaveau (Paris), Teatro alla Scala (Milan), Opera House (Sidney), Suntory Hall (Tokyo).
Since 2010 he has been teaching at the Accademia Nazionale di Santa Cecilia, where he was awarded the title of Academic.
In 2012, together with Enrico Melozzi, he founded the 100 Cellos. In 2015 he composed the sound logo of Expo in Milan and inaugurated the new museum space of Michelangelo’s Pietà Rondanini.
Giovanni explores different genres using ancient, oriental, electric and inventive instruments, playing in the Sahara desert, underwater, and with an Ice Cello.
His discography started up in 1998 with a CD produced by Philip Glass for Point Music which was followed by eleven albums for Sony, Egea and Decca.
He has brought to light the 18th century musician, Giovanni Battista Costanzi, of whom he has recorded the Sonatas and Symphonies for cello and basso continuo for the Glossa label.
In October 2018 he received the Anner Bijlsma Award at the Cello Biennale in Amsterdam.
Giovanni Sollima plays a cello by Francesco Ruggieri (Cremona, 1679).
